Just a wee note to say I will be quiet for a few days. Dean and I are making it official, and getting married tomorrow. ♥
Have a good weekend everyone!
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We Excuse my absence, the details of which I will not bore you with. Christchurch! How are you doing? For those not aware (which won't be many because most of you are Kiwis according to my Google analytics)...
PANZ News: Outstanding shortlist announced for PANZ... Outstanding shortlist announced for PANZ Book Design Awards AUCKLAND, 3 May 2010. New Zealand’s exceptional book design talent is showcased in the shortlist announced today for the 2010 Publishers Association...
Ask BookieMonster a question I thought I'd give you a chance to ask me a question - about pretty much anything I write about! Want to know why I hate Ian McEwan? Want to know something about Trade Me? Want to know why I started...
Winter, begone! Hello sunshine... I really need to work on my headline writing. Aaaaaanyway, spring will be here tomorrow! Officially, though looking outside at grey skies I am not entirely sure spring knows that it is expected. Traditionally...
What's BookieMonster Reading? The Scandal of the Season... Oh, but reading has been a hard road recently. Why? I don't really know but I was in one of those "good book" slumps. As in, I couldn't find one to just latch on to and absorb without having to think too...
Just a wee note to say I will be quiet for a few days. Dean and I are making it official, and getting married tomorrow. ♥
Have a good weekend everyone!
…Or an amen.’
- ‘Locks’ by Neil Gaiman from ‘Fragile Things’
I’ve always considered smart men to be a turn on (i.e. hot, hottie, hotness or whatever terminology you want to use) be they literary heroes or the writers themselves. At 5 I had a crush on the Hardy Boys – yes, both (cutely sharp). At 7 I had a crush on young sleuth Encyclopedia Brown (funny smart). At 8 I had a crush on Motorcycle Boy from S. E. Hinton’s Rumble Fish (still waters sharp). At 9 I had a crush on Hercule Poirot (quirkily sharp) and Raistlin Majere (dangerously smart) from Weiss & Hickman’s Dragonlance stories. At 10 I had a crush on Gilbert Blythe (cute AND smart). At 11…you get the idea. In my mind, these characters all had one thing in common: they were wickedly clever. It should come as no surprise at 34, then, to find that I heart Neil Gaiman. A lot. It’s hard not to! The man is highly articulate, writes across a variety of genre and has won numerous awards. So many the mind goes into meltdown trying to name them all. So the chance to hear him speak, live, was a once in a lifetime opportunity. One I was far too human to let pass me by. The beautiful day was surely a good sign.
I’m not quite sure what I was expecting so I think any thing at all would have more than lived up to my expectations. What I got was So. Much. More. Kate de Goldi (winner of Readers Choice Award – New Zealand Montana Book Awards 2009) came onstage with Neil and gave a very detailed bio and then let the audience know that the format would be 3 readings provided by Neil, a question and answer session with she and Neil, and then a chance for the audience to pose their own burning questions. When Gaiman stood at the podium he was greeted by mad applause and then, when he began to speak, there was total silence. I know for me it was equal parts admiration, focus and awe. Truly, the Gaiman cometh. There is something unbearably intimate about hearing a writer read you their own words. You think you know a piece – you know how to read it, you know it word for word, you know how it makes you feel. But to hear the author is to add another layer of intimacy again, simply by adding an inflection here, pausing there, placing emphasis in a certain way, stopping to look at the audience as if to invite comment or assent, reading quickly, slowing down, enunciating clearly, reading in a wry manner, injecting a sense of humour, cadence – it was all there. And done is such a clever way as to make me want to re-read Locks and American Gods again, just to get out of it what he put into it in that particular moment in time.
In his chat – and that really is the word for what was a very laidback and low key talk – with de Goldi, Gaiman talked about his time at boarding school, his discovery of Shakespeare’s works, a busy schedule and early influences in his writing. The audience questions allowed Gaiman to open up a bit more and talk about working with Pratchett, his idea behind the Sandman graphic novels, working with illustrator Dave McKean, DC Comics, writing for young adults, differences in writing prose fiction and graphic novels and his travelling commitments. My favourite question of all was from a young boy who asked: What are you reading right now? That just warmed the cockles of my librarian heart
For those who care, Neil was reading ‘Journey to the West’ which, if I remember rightly, was turned into the tv series ‘Monkey.’ Gaiman came across as witty, charming, very humble and extremely self-contained. It seemed as if he did not talk for the sake of talking – each word or sentence was weighed quite carefully before being voiced. Not at any time was his talk a case of ‘Me, me, me…I, I, I…’ How can a body contain so much talent??!! Now tell me you don’t agree that smart is a turn on
If I have one niggle it’s not about the man so much as it was about the organisation of the event: it would have been nice to be able to take pics during the talk, not just at the (3 and a half hr) signing. Like those terrible t-shirts that grandmas buy when they’re overseas (you know the ones) well, my souvenir is a tad bit like that: ‘I saw the Gaiman and all I got was this crap pic of a building with chicken pox.’ C’est tout.
This lovely guest post about Neil Gaiman at the Wellington Writers and Readers Festival was written by Tosca Waerea from the confessions of a southside catatonic chataholic blog. A huge thanks to Tosca for this fantastic guest post and pictures.
Category : Book Trade News, BookieMonster News, Fun Stuff
Slate Audio Book Club’s latest podcast is an erudite and fascinating discussion of Wolf Hall by Hilary Mantel - the readers obviously thought of highly of the book as I did.
Highly recommended listening – as are all of the Slate podcasts!
Category : BookieMonster News, Fun Stuff
A great post from the Crime Watch blog entitled Crime fiction as a window on culture and society? (includes author interviews) (obviously highly recommended reading, by the way) really got me thinking today and part of my thinking went off on a tangent regarding those stunning and clearly remembered moments in life that I think every reader has had.
You know, that moment where one new author or new book or new way of thinking or reading suddenly puts things into shining focus and you realise you’re now heading off down a very different reading path.
And, of course, I was thinking about my particular moments and what they were. So I thought I’d share with you my very first remembered moment like this, which happened when I was about six courtesy of my big brother. Who was, at the time, extremely annoying and also extremely annoyed by me.
We were in the car and I had one of those primary school “readers” – New Zealand people of a certain age, remember Ready to Read books in the 1980s? They were coloured Red, Blue, Yellow, etc. So I had my little reader and I was dilligently reading – entirely out-loud which is the only way I knew at that point (sure, I’d love to tell you I was a prodigy, reading Tolstoy at age 3 but it would be a total lie). This is where the annoyance factor comes in.
My brother obviously did not enjoy my no-doubt scintillating rendition of (if I recall correctly) some story about a little helicopter because shortly he was all:
“Do you HAVE to read out loud? Why can’t you read in your head?” (in best annoyed older brother voice)
And I was all:
“I don’t know how!” (in best whiny annoying younger sister voice)
Which led to my brother handing me my first moment of stunned revelation:
“You just say the words in your head!” (in best oh-my-god-you’re-an-idiot voice)
Oh. Wow. I remember looking down at the page and … saying the words in my head. And saying them and saying them and saying them and now it’s 28 years later and I’m still saying them.
Thanks bro. You are the best big brother.
Question and Comment Time: Lovely readers, what have been some of your life-changing moments in reading? And do you remember how annoying older brothers (or younger sisters) were?
Category : Books for Sale
by Kati Marton
Extravagantly praised by critics and readers, this stunning story by bestselling author Kati Marton tells of the breathtaking journey of nine extraordinary men from Budapest to the New World, what they experienced along their dangerous route, and how they changed America and the world.
They are the scientists Leo Szilard, Edward Teller, Eugene Wigner, and John von Neuman; Arthur Koestler, author of Darkness at Noon; Robert Capa, the first photographer ashore on D-Day; Andre Kertesz, pioneer of modern photojournalism; and iconic filmmakers Alexander Korda and Michael Curtiz.
Author Kati Marton follows these nine over the decades as they flee fascism and anti-Semitism, seek sanctuary in England and America, and set out to make their mark. The scientists Leo Szilard, Edward Teller, and Eugene Wigner enlist Albert Einstein to get Franklin Roosevelt to initiate the development of the atomic bomb. Along with John von Neuman, who pioneers the computer, they succeed in achieving that goal before Nazi Germany, ending the Second World War, and opening a new age. Arthur Koestler writes the most important anti-Communist novel of the century, Darkness at Noon. Robert Capa is the first photographer ashore on D-Day. He virtually invents photojournalism and gives us some of the century’s most enduring records of modern warfare. Andre Kertesz pioneers modern photojournalism, and Alexander Korda, who makes wartime propaganda films for Churchill, leaves a stark portrait of post war Europe with The Third Man, as his fellow filmmaker, Michael Curtiz, leaves us the immortal Casablanca, a call to arms and the most famous romantic film of all time.
Marton brings passion and breadth to these dramatic lives as they help invent the twentieth century.
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