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What's BookieMonster reading? Changeless by Gail Carriger Soulless, Changeless, Blameless... Meaningless. Aha! I slay me. :twisted: Changeless and Soulless have bounced around the interwebs for a while so I thought I'd dive in and have a read - Changeless...

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An interview with David Levithan

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Category : Book Trade News, Interviews

David Levithan, co-author of Will Grayson, Will Grayson, and recent visitor to these shores very kindly agreed to a short email interview with BookieMonster.

You do a lot of collaboration writing – do you have a set process to make sure that works, or do you follow different processes with different people?

DL:  It’s just a matter of instinct.  It was Rachel’s idea to do NICK AND NORAH’S INFINITE PLAYLIST, and we ran with it, not having any idea what we were doing.  Which is, I think, what makes the book so special.  We were talking to each other through the characters, and having a great time. 

What is the most important thing that drives you to write about and write for young people?

 DL:  I’m not sure anything in particular drives me.  (I have a book about two adults coming out in January.)  But it’s a fascinating time of life to explore.  And certainly the response from the readers means a whole lot, and I suspect you don’t get that as much when you write primarily for older folks.  I guess I’ll see.

What were your favourite books when you were a teen?

DL:  Anne Tyler’s DINNER AT THE HOMESICK RESTAURANT, Alice Hoffman’s SEVENTH HEAVEN, John Irving’s A PRAYER FOR OWEN MEANY… among many others.

Are you a book re-reader? and if you are, what are some books you always go back to?

DL:  I’m not much of a re-reader, but I have re-read all of the books listed above.

What was the experience of having Nick & Norah’s Infinite Playlist made into a movie like?

 DL:  In a word, it was awesome.  Rachel and I were both very lucky to be involved in the process and to love love love all of the cast and the crew, including the screenwriter and the director.  The movie certainly takes some different turns from the book, but it never, ever strays from the spirit and the heart of the book, and for that I’ll be forever grateful.

What’s your current reading material?

 DL:  I just finished Donna Freitas’s THIS GORGEOUS GAME, which is a really intense, powerful book about a girl who is stalked by an older man.  Before that I read William Trevor’s LOVE AND SUMMER, which was a perfect summer read – not that it’s “beachy,” but it’s about the connections we can form over the summer, and how temporal they can be.

The characters in Will Grayson, Will Grayson are really likeable and endearing, even when they are being quite irritating! How do you feel about characters when you are writing them?

DL:  Usually I like them a lot.  Even the hard ones.  Because, let’s face it, nobody is saintly all the time.  That would be boring.

The characters also seem amazingly real – their dialogue and reactions and emotions are so spot-on. How do you keep it so genuine when writing characters who are a different age to yourself?

DL:  The emotions don’t really change, so it’s remarkably easy to slip into the characters’ minds, no matter what age.

What were you like as a teenager? Second Will Grayson has a problem with depression, was that something you had experience of?

DL:  I was a very happy, well-adjusted teenager – I try to single-handedly disprove the myth that you need to suffer greatly in order to create great art.  So my experience was different from my Will’s (in fact, I was much closer to John’s Will), but at the same time, I have a great deal of empathy for what my Will is going through, because I have friends who’ve been there, and because I can see how easy it would have been for me to go there, too.

Who are some of your favourite current authors?

DL:  There isn’t enough space to answer this one.  So I’ll cheat and say that I am deeply in love with the writing of all of my co-authors.

With the death of JD Salinger last year there was a lot of talk about the present relevance of The Catcher in the Rye and the character of Holden in particular. Was (or is) The Catcher in the Rye an important book for you personally? Do you see it as being relevant to Young Adult writing of today or would you disagree with the notion that it’s somehow a “teen” book? How do you think (or hope) your books will be thought of in 40 years time?

DL:  If you read my book THE REALM OF POSSIBILITY, there’s a poem in it that distills at least some of my feelings about CATCHER IN THE RYE.  I actually like the other books better, but that doesn’t diminish the fact that Salinger was an amazing writer.  Of course it’s a teen book – any book that appeals to a teen is a teen book.  As for how my own books will be thought of in 40 years time – well, I hope at least one of them will seem horribly dated.  After we get full equality (which we will in the next forty years, and probably much sooner than that), BOY MEETS BOY will seem like a relic from another age.  As it should be.

Why, oh why, did they stop making My So-Called Life?

DL:  Low ratings?  But I will admit I have a secret joy that they left us with one perfect season rather than letting it go on.  So many of the other shows I love stumble after a while.  But MSCL stands as perfect from beginning to end.

Did you love the scene in Almost Famous where they’re singing along to “Tiny Dancer”?

DL:  How could I not?

A huge thanks to David for taking the time to answer my questions.

An interview with New Zealand author Rachael King

Category : Book Trade News, BookieMonster News, Interviews

Rachael King is the extremely talented author of The Sound of Butterflies and Magpie Hall and I think she’s one of the best in New Zealand contemporary fiction. Lucky me – she very kindly agreed to answer some questions I had thought of while reading Magpie Hall!

Did you have any influences in mind when you were writing Magpie Hall?

There are elements of many other novels woven into Magpie Hall. I wanted to write something very intertextual. So it has elements of the Turn of the Screw, Jane Eyre, Wuthering Heights, Woman in White, Northanger Abbey and Rebecca (as that was considered to be a rewrite of Jane Eyre), plus classic tropes from the Gothic tradition such as a maiden locked in a tower, doubles, ghosts, the cruelty of nature, castles etc etc. Other than those, I am always slightly influenced by The Crow Road by Iain Banks, which I think of as the perfect family mystery (although it’s been a few years since I read it).

How did you research the details of taxidermy and did you have any personal interest in it?

As with butterfly collecting, it is not the sciences themselves that interest me but the people and personalities that are drawn to such activities. I interviewed a young female taxidermist who was an inspiration for the book, and I read a lot of ‘how to’ manuals, including those from Victorian times. In fact, one of my most precious resources was a book I discovered during research for The Sound of Butterflies. As well as providing me with information about preserving butterflies at the time, it had instructions on how to skin a tiger. I just knew I would need to use that in a book one day. I have had some great compliments about my tiger-skinning scene from people who wondered if I had ever done it myself, which I haven’t. But nor did I just copy the information; I read how to do it, then imagined myself into the mind of my character as he did it, writing what he would see and feel and smell. I’m a great believer that if you do your research well, and most importantly, if you integrate that research well, you don’t have to have experienced something yourself. You just need a good imagination and to be able to translate that imagination onto the page.

How do you feel about your characters when you are writing them?

Very fond, usually. I love watching them become fuller as the writing progresses, knowing things about them which never make it onto the page but make them more real in my mind.

Do your feelings towards them change when the book is finished?

I just think ‘how will I ever come up with new characters when I put so much into these ones?’

Visually Magpie Hall is a wonderful looking book, (designed by Sarah Laing) how collaborative was the design (or did she just do what she obviously does very well!)?

Sarah designed the cover, but the inside of the book was designed by Laura Furlong, using some of Sarah’s illustrations from the back cover. I was able to approve the layout. For the cover, I had quite a few ideas about what I wanted, and as Sarah is a friend, thought perhaps I could easily manipulate her (ha ha). But her design sense was too strong for me and what we ended up with was nothing like what I’d envisioned and I love it. Some of my ideas involved using images that we couldn’t have used for copyright reasons anyway. Sarah mocked up about ten designs and I got to say which were my favourites, but of course sales and marketing (or S&M as I like to call them) had a big say and some of my favourites were nixed for not being commercial enough. I am thrilled with the way the cover turned out and the back cover is as gorgeous as the front. Sarah is so multi-talented it hurts.

Are you a book re-reader? and if you are, what are some books you always go back to?

Not that often, no – I have too many books to read and not enough time. But some books I have re-read over the years are often from my childhood - Susan Cooper’s The Dark is Rising sequence and the Narnia books for example. I’ll probably go back to Philip Pullman’s Northern Lights trilogy too - something to do with old friends to escape with when you’re ill or something.

What was your favourite book (or books) as a teenager?

Tess of the D’Urbervilles was a biggy. An influential English teacher introduced me to it, probably around the time the Polanski film came out. Tess was my style icon. I wore long dresses, petticoats and Victorian-style boots for a period when I was about 16. What a freak!

A big thank you to Rachael for her time and for being my very first author interview. Plus it’s always cool to find a fellow The Dark is Rising fan! :)

P.S. You can read my review of Magpie Hall here.

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