The Queen of the Tearling by Erika Johansen, Random House, Available now.
The Queen of the Tearling arrived on my doorstep in some simple but elegant little packaging, with warm grey tissue paper wrapping tied in a red bow, a little card attached with the title and author. The accompanying marketing blurb was nicely printed on a creamy laid paper with a satisfying weight¹. What book blogger could resist such presentation? (Not this one, I’m a sucker for the pretty).
Now, this is all very well and good, and reminds me how lucky I am to blog about books (well, reminds me why I put the time in to blog about books) but like the accompanying hype about this new title (It’s going to be made into a movie! Emma Watson loves it! And the Harry Potter films producer is producing it so lightning will strike twice!) it’s just pleasant frippery around the edges. The proof is in the reading.
The Queen of the Tearling delivers to a large extent on that, being a story with some of the best sort of characters and a gradually revealed backstory and universe that promises big things. Kelsea Glynn is heir to the throne of Tearling and has been in hiding since she was a baby. The book opens with the Queen’s Guard arriving at her modest foster parent’s home to escort her back to her castle to take her rightful place as Queen, as her mother has died. Along the way she learns many horrific and hard-to-hear truths about the state of play in Tearling, and the relationship with neighbouring Mortmesne and its ruler, The Red Queen (definite shades of the Red Woman from Game of Thrones), and The Queen of the Tearling is mostly taken up with this “beginning to be a queen” tale. Yes, it’s the first in a series.
I enjoyed many things about this part of the tale. The characters are fantastic; the likeable, worthy and intelligent Kelsea, her head guard The Mace, a solid and virtuous warrior, and the crazed Red Queen. These are just a few of the universe of characters that Johansen is beginning to create and clearly this is her strength. She also gives us plenty of hints and slow reveals about just where the Tearling universe is, an Earth-but-not-Earth, with talk of Europe and the Continent and the New World. I’m very keen to learn more about that.
There are also some things about the book that don’t work, with two main gripes from me. The tone is a little weird at times and this sense of dissonance meant there where times I struggled to stay engaged by it. Moments where the characters and writing screamed “young adult” were suddenly broken when the characters and writing screamed “you might wanna read this yourself before you give it to your young adult” and that made it hard to get a handle on who exactly the book is aimed at. This might not be a major issue for the average reader but tone is so important, and one of the reasons why editors are similarly important.
There were also some things that frustrated me about Kelsea as a character, she’s strong and intelligent, and I fervently hope that Johansen isn’t going to turn her personal story into “ugly duckling becomes a swan”. Some of the comments about her appearance and, yes, the news that Emma Watson is signed to play her in the movie, do worry me that rather than concentrating on the aspect of her journey into being a leader, we’ll be subjected to a standard “girl leader must be beautiful” story. The book doesn’t need it, so I do hope not.
So does this live up to the aforementioned edge-frippery hype? Not entirely but it’s still a very good read, one which will gain plenty of fans, including me. I’m definitely looking forward to finding out more and staying a part of the intriguing Tearling world.
¹ Yes, all right, I’m a paper geek.