Why do old books smell so well? http://ebookfriendly.com/why-do-old-books-smell-so-well/
In light of the really sad news about Robin Williams today I must draw attention to this post from author Matt Haig:
You are on another planet. No-one understands what you are going through. But actually, they do. You don’t think they do because the only reference point is yourself. You have never felt this way before, and the shock of the descent is traumatising you, but others have been here. You are in a dark, dark land with a population of millions.
There are always reasons to stay alive. If you can’t see or feel any of these right now then please, please ask for help. It is there for you.
Lifeline’s 24/7 Helpline is 0800 543 354.
RIP Mr Williams.
Passing Through by Coral Atkinson, Dancing Tuatara in association with Whitireia Publishing, ISBN 9780473262693, RRP $34.95
It’s no surprise that, along with a good portion of the rest of the world, New Zealand is reassessing and revisiting its role and shared history in World War One, now that we are into the period of 100 year commemorations (please, please NEVER use the word celebration in this context). So it’s fitting that Coral Atkinson’s new novel, Passing Through, is a thoughtful and extremely readable human drama set in post-WWI Christchurch and Lyttelton.
Passing Through takes us inside the intersecting lives of four sympathetic and likeable characters: Ro and Harry, both returned servicemen from France, both highly scarred by their very different experiences; Louisa, a New Zealand nurse who during the course of the war became a wife, widow and mother (in that order); and Nan, a young housemaid with a gift of talking to the dead that Ro looks to exploit to make his fortune.
These characters, and accompanying minor ones like Poppy, Louisa’s daughter, are the heart and highlight of the book. They are all haunted by ghosts of the dead and Atkinson deals with each of them so gently yet so unflinchingly that the reader becomes highly invested in their stories. Ro, for example, is a total cad but I couldn’t help but have a strong sympathy for him, and he is as much a victim of his own circumstance as the other three.
Atkinson is a simply fantastic writer, with a wonderful turn of phrase and a deeply believable eye for detail and landscape.
The port was crowded with overseas ships at anchor, along with trawlers, tugs, launches and dredges; beyond the docks, the harbour stretched between islands and headlands, the rumpled khaki land like an old army overcoat, sleeves dangling into water.
Moving from scenes of appalling battle life on the French western front in WWI to moments of deep human intimacy to dubious “spiritual” seances, Atkinson takes all of these and delivers a story with a New Zealand heart and sense of place and time that is hard to beat.
It’s wonderful to have such a story told and by such a talented author. Passing Through is a superb book that deserves a wide audience.
The Auckland Book by Nigel Beckford, Michael Fitzsimons, Patrick Fitzsimons, Alisha Brunton, Jess Lunnon, Sandi MacKechnie, Cynthia Merhej, Ivy Niu, Sarah Ryan, Ezra Whittaker-Powley, FitzBeck Creative, ISBN 9780473286033, RRP $45.00
From the team that brought us The Wellington Book and the brilliant The NZ Book there’s now a similarly beautiful The Auckland Book. Written and illustrated by the team at FitzBeck along with seven fantastic young illustrators from AUT, The Auckland Book does an outstanding job of capturing what’s unique and best about the city New Zealanders love and hate.
The illustrations are quirky, fun and particularly gorgeous in many cases (the Auckland University clock tower and the Grafton page are my favourites). Along with the visual appeal there is also a range of fun facts and observations. And not just for visitors, there was plenty here that I didn’t know (and will now commit to quoting annoyingly), such as:
- Alice [the tunnel boring machine] travels at up to 8cm a minute, about as fast as a snail;
- Ponsonby was originally called Dedwood;
- within a 20km radius of Auckland there are 49 discrete volcanic cones.
The Auckland Book reflects the continuously changing face of our most cosmopolitan of cities, in an affectionate and fun manner.
The Queen of the Tearling by Erika Johansen, Random House, Available now.
The Queen of the Tearling arrived on my doorstep in some simple but elegant little packaging, with warm grey tissue paper wrapping tied in a red bow, a little card attached with the title and author. The accompanying marketing blurb was nicely printed on a creamy laid paper with a satisfying weight¹. What book blogger could resist such presentation? (Not this one, I’m a sucker for the pretty).
Now, this is all very well and good, and reminds me how lucky I am to blog about books (well, reminds me why I put the time in to blog about books) but like the accompanying hype about this new title (It’s going to be made into a movie! Emma Watson loves it! And the Harry Potter films producer is producing it so lightning will strike twice!) it’s just pleasant frippery around the edges. The proof is in the reading.
The Queen of the Tearling delivers to a large extent on that, being a story with some of the best sort of characters and a gradually revealed backstory and universe that promises big things. Kelsea Glynn is heir to the throne of Tearling and has been in hiding since she was a baby. The book opens with the Queen’s Guard arriving at her modest foster parent’s home to escort her back to her castle to take her rightful place as Queen, as her mother has died. Along the way she learns many horrific and hard-to-hear truths about the state of play in Tearling, and the relationship with neighbouring Mortmesne and its ruler, The Red Queen (definite shades of the Red Woman from Game of Thrones), and The Queen of the Tearling is mostly taken up with this “beginning to be a queen” tale. Yes, it’s the first in a series.
I enjoyed many things about this part of the tale. The characters are fantastic; the likeable, worthy and intelligent Kelsea, her head guard The Mace, a solid and virtuous warrior, and the crazed Red Queen. These are just a few of the universe of characters that Johansen is beginning to create and clearly this is her strength. She also gives us plenty of hints and slow reveals about just where the Tearling universe is, an Earth-but-not-Earth, with talk of Europe and the Continent and the New World. I’m very keen to learn more about that.
There are also some things about the book that don’t work, with two main gripes from me. The tone is a little weird at times and this sense of dissonance meant there where times I struggled to stay engaged by it. Moments where the characters and writing screamed “young adult” were suddenly broken when the characters and writing screamed “you might wanna read this yourself before you give it to your young adult” and that made it hard to get a handle on who exactly the book is aimed at. This might not be a major issue for the average reader but tone is so important, and one of the reasons why editors are similarly important.
There were also some things that frustrated me about Kelsea as a character, she’s strong and intelligent, and I fervently hope that Johansen isn’t going to turn her personal story into “ugly duckling becomes a swan”. Some of the comments about her appearance and, yes, the news that Emma Watson is signed to play her in the movie, do worry me that rather than concentrating on the aspect of her journey into being a leader, we’ll be subjected to a standard “girl leader must be beautiful” story. The book doesn’t need it, so I do hope not.
So does this live up to the aforementioned edge-frippery hype? Not entirely but it’s still a very good read, one which will gain plenty of fans, including me. I’m definitely looking forward to finding out more and staying a part of the intriguing Tearling world.
¹ Yes, all right, I’m a paper geek.
It seems a good time to update everyone on my journey along the non-profit road! The beginning to this project is detailed here, and the response was so amazing and overwhelming that I have to keep you all updated.
So far I have met with an advisor from the fantastic organisation Community Waikato. For those who haven’t heard of them, they provide support services (and distribute some funding) to non-profits and charities within the Waikato region. This was a great discussion, very insightful and useful. I talked about the whole background to my idea, as well as my own personal background and thoughts on where I want this (and me) to go.
One of the best things an advisor can give you is knowledge and history of the charity space, especially if like me you have the idea but not the experience. I got some realistic assessments of my perceptions. As you all know my focus was on the space of support services for queer youth, and I’m mindful of not wanting to either a) compete with existing services, or b) replicate existing services. This is where the advisor’s knowledge was invaluable. She saw a way that I could combine wanting to help with my personal skillset.
It means a slight change in direction, or at least refocussing my ideas, not away from the end user, but away from my initial thoughts of what my organisation might look like – in essence we may have come up with a business idea for a social enterprise that supports charitable and non-profit organisations. This doesn’t worry me – I am nothing if not adaptable and my ultimate aim has always been “how do we make it easier and better for queer youth to access the support they need”. Now I may just be able to do that for more people.
This is exactly why the support I received for my Givealittle campaign was so important and I’m so grateful for it. Research is key, identifying gaps and opportunities, making sure I know what’s happening, who’s what and what’s where. Next up is my trip to Auckland, which will happen in late August. I’m excited and I hope everyone who supported me is still happy they did!
Thanks again, all.